Joffe (executive), Jack Rollins (executive)Ĭast: Woody Allen (Sandy Bates), Charlotte Rampling (Dorrie), Jessica Harper (Daisy), Marie-Christine Barrault (Isobel), Tony Roberts (Tony), Daniel Stern (Actor). The latter sequence would prove to be prophetic when, just a few months later, former Beatle John Lennon was murdered outside his New York City residence by a psychotic fan.
CAST OF STARDUST MOVIE MOVIE
And in the opening sequence of the film, you can spot Sharon Stone in her movie debut as the beautiful blonde who blows a kiss to Bates from the opposite train car window.Īmong the many memorable scenes in Stardust Memories are the comic nightmare where Bates' 'hostility' goes on the rampage in Central Park, pursued by police and tracker dogs the appearance of an extraterrestrial named Og who confesses he prefers the filmmaker's earlier films a sequence which epitomizes Bates' idea of a perfect day with his former lover, Dorrie (Charlotte Rampling), accompanied by Louis Armstrong's rendition of "Stardust" on the soundtrack a paranoid fantasy in which an autograph hound assassinates Bates. Fun facts: cast, trivia, popularity rankings, and more. Andy Albeck, the former head of United Artists, also makes a brief appearance as a film mogul who is concerned that Bates' new movie won't be funny. Learn about Stardust: discover its cast ranked by popularity, see when it released, view trivia, and more. The 'Film Culture' weekend event in Stardust Memories is modeled on the Tarrytown film seminars organized by movie critic Judith Crist who also has a cameo in a flashback sequence. It was shot mostly in the Nassau area of Long Island with additional locations in Asbury Park, the old Filmways Studio in Harlem, and the Ocean Grove Great Auditorium, which served as the exterior of the Stardust Hotel. I wondered if I had contributed over the past twenty years to this man's unhappiness." But for Allen, Stardust Memories was about an artist on the verge of a mental breakdown who viewed the world through a distorted state of mind.ĭespite the controversy surrounding Stardust Memories, the film remains one of Allen's most complex and fascinating works. In an interview in The New York Times, Joffe said, "When I walked out of the first screening, I found myself questioning everything. The New Yorker's Pauline Kael called the film "a horrible betrayal.a whiff of nostalgia gone bad," while Andrew Sarris of The Village Voice thought the film seemed "to have been shaped by a masochistic desire to alienate Allen's admirers once and for all." Even Charles Joffe, Allen's steadfast executive producer on most of his films, had his doubts. Though the director has denied it, many critics felt Allen was using this film to express his disgust with his audience, the critics, and the film industry in general. However, it is entirely speculative whether Sandy Bates is really an alter ego for Woody Allen. There's no denying that Stardust Memories paints a bleak picture of Bates' profession with its stark black-and-white cinematography by Gordon Willis and a gallery of grotesque characters who wouldn't be out of place in a Diane Arbus photograph or a Hogarth painting. And he is further incensed by the studio suits who want him to make funny movies when all he sees is human suffering everywhere. Sandy no longer finds any personal satisfaction in his achievements or in his current relationships. Obviously influenced by Fellini's 8 1/2 (1963), Stardust Memorie follows a prominent filmmaker named Sandy Bates to a weekend movie seminar at the Stardust Hotel in New Jersey where he is besieged by adoring fans and sycophants. Oberman and Bowie head across the country in Ron’s uncool, un-rock’n’roll station wagon, with Bowie playing disastrous, low-key gigs and Ron becoming a Spinal Tap-type PR goof who is mortified at the poor turnout.The true acid test for any fan or critic who loves Woody Allen movies is Stardust Memories (1980), his misunderstood and generally maligned ninth feature. The movie shows this, but where in reality the tour saw Bowie fly to major cities, meeting with Oberman a few times and doing interviews, the movie escalates this to a huge comedy-odd-couple road trip. But, all too often, this Bowie looks as if he is presenting TV’s Bake Off.īowie arrived at Washington DC’s Dulles airport where an immigration official called him a “fag”, and where Mercury Records publicity man Ron Oberman (played here by comic Marc Maron) arrived to meet him, having got a lift to the airport from his mum and dad, and took the bemused Bowie back for a home-cooked family meal, like a 13-year-old foreign exchange student. Flynn carries off Bowie’s clothes and delicate mannerisms plausibly enough and, impressively, he does his own singing. T he very talented actor and musician Johnny Flynn here makes a perfectly game attempt to impersonate the young David Bowie in this ironised and fictionalised account of Bowie’s 1971 US publicity tour which – partly – inspired his Ziggy Stardust persona.
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